Hopefully
later today I will find some time to catch up on Mary Barton, Elizabeth Gaskell’s debut
novel from 1848. I’m up to chapter 10.
According to the back
cover blurb of my Oxford World’s Classics
edition, Gaskell’s first novel introduced the fiction-reading public of the
mid-nineteenth century to aspects of the contemporary world it knew little
about. Part tragedy, part romance,
passionate with anger yet touched by humour, Mary Barton remains the major novel acclaimed by Charles Dickens on
first publication.
I’ve read nine out of
thirty-eight chapters and it is very
good. There’s an unsettling increasing
and causal body count with each successive chapter one could be forgiven for
thinking it was penned in the mid to late 20th century (yes, I mean
you, but not exclusively, Brett Easton Ellis).
However, Gaskell is
noticing the effects of acute poverty during the ‘hungry forties’. If heavyweight essays such as Friedrich
Engels The Condition of the Working Class
in England (1845) isn’t your thing, Mary
Barton may be the novel for you. The
social realism is stark, but the romance at the centre of the novel is
traditional and very amusing.
In chapter 9, which I
recently completed, Mary’s second
love interest and their go-between makes an appearance, and very satirical the
episode is, so it’s a fairly safe bet my previous sentence is accurate.
I’ve read all of Gaskell’s
shorter works, Cranford, included,
and a very sharp and sophisticated satirist she is. Admittedly, she is the only novelist who has
reduced me to tears at times, but usually she very swiftly turns the mood
around with some witty turn of phrase and I’m chuckling away calling myself a
silly sod for shedding the odd tear in the first place.
As an introduction to
Gaskell’s style, I can recommend highly the short stories Christmas Storms and Sunshine, Libbie
Marsh’s Three Eras, and The Crooked
Branch. The novella A Dark Night’s Work is also worth a tear
or two.
Anyway, it’s midday, and
I’m off to the library to update this blog and do my jobsearch.
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